Christmas is just around the corner. Paul Verhoeven left a present for this sacred season. A movie with lesbian nuns, frontal nudity, lots of sex, Catholic hypocrisy, and brutal blame. Happy birthday, Jesus!
Benedetta doesn’t know if it’s a religious accusation, a horror movie, a thriller, or an adult movie. After all, it doesn’t matter. Hopefully it will shock us with something like a virgin Mary wooden figurine that has been diverted to sex toys, but most of it is boring.
Inspired by the humble acts of Judith C. Browns: The life of a lesbian nun in Renaissance Italy, Verhoeven weaves the story of Benedetta, a 17th-century nun in the plague-stricken Tuscan city of Pescia. From disturbing religious and erotic visions.
In one vision, she sees Jesus nailed to the cross and bleeding from a wound with a crown of thorns stabbed around his temple. Undressing, he asks her. If you don’t know if you laugh, you’re not alone. It’s like a monastery showgirl.
Benedetta is portrayed by Belgian actor Virginie Efira. Virginie Efira is more naked than if she starred in porn. (Example of dialogue: I saw your breasts. I saw them. Yes, we all did, sisters.)
Her personality begins an illegal relationship with a fellow nun (played violently by Daphne Patakia) and then shows signs of stigmata while sleeping. Is she really receiving God’s visit, or is she supplementing it with careful self-cutting?
The head of the monastery played by Charlotte Rampling, who gives more gravity than is appropriate for this movie, is suspicious. No miracles happen in bed, believe me, she says in one of the best lines. But in this apparently blessed nun, the local church president sees the opportunity to set up a chain of command and make Pescia attractive to pilgrims like Assisi.
A brave nun refuses to go with a lie. People need to know. She says what’s happening here is blasphemy. The abbot replies: everyone who is important already knows.
But as a cynic around her mountain, Benedetta needs to make bigger and bigger stunts to prove she was chosen. She claims that Jesus told her that as long as she was alive, everyone else would be alive. How convenient.
Verhoeven, who directed and cowroted the script with David Birke, is not interested in the truth of this nun. When asked personally by her lover if Benedetta forged the stigmata, she answers: I don’t know. I don’t know how God makes things happen. The truth is not important here, only the emergence of the truth. (Don’t ask about the naked truth here.)
It’s all so high that it covers the boundaries of comedy. Verhoeven has never had a very delicate goal, such as American hegemony with Starship Troopers and an authoritarian nation with Robocop. Here, he is as keen as a dull bread knife.
Exploiting Benedetta seems to want to exploit religious hypocrisy, but it actually reveals the filmmaker.
Perhaps there is an intriguing movie somewhere Who decides God’s will? This is one of the protracted questions, but to find it, you need to cut out all the sneaky and super-violent excesses that were specifically intended to push a button, like testing the patience of five-year-old parents. there is. yawn.
In addition, to make a film in 2021 aimed at advocating the liberation of women in a strict male hierarchy by showing old women exclusive nudity and same-sex dry humping, certain types of I need a footer. The only blessing here is when it’s over.
The release of IFC Films, Benedetta, is rated R for nudity, sex scenes, suicide, and wording. Execution time: 126 minutes. There are no stars out of 4 stars.
MPAA definition for R: Limited. Children under the age of 17 must be accompanied by a parent or guardian.
Online: https: //www.benedettamovie.com/
Mark Kennedy can be found at http://twitter.com/KennedyTwits
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Paul Verhoeven gives nonsense in “Benedetta”
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