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How Taylor Swift is trying to preserve the musical heritage by re-recording the first six albums

Taylor Swift has released a re-recorded version of the Grammy-winning 2008 album Fearless. Fans return to a time when they believed in teenage love, full of muddy songs. But she hasn’t released Fearless again out of nostalgia. It’s a well-thought-out and important move for a country pop singer when she tries to control her music. Swift has announced that Scooter Braun will release re-recorded versions of all of the first six albums after purchasing a master recording in 2019. He also said that there were some unreleased songs that didn’t reach the 2008 version of Fearless. She finally dropped “Fearless (Taylor’s Version)” this weekend, releasing 26 songs, including 6 previously unreleased songs.

Swift firmly believes that you need to own a work created by an artist. She has been fighting for years to control the means, production methods and distribution of her work. Her previous label, Big Machine Records, declined her request to own the six previous albums. She left the label in 2018. Through a new deal between Republic Records and UMG, Swift has taken ownership of the future Master and ensured that the sale of the label’s shares on Spotify “leads to the distribution of money to artists.”

Scooter Braun has acquired Big Machine Records along with a music catalog for Swift’s first six albums. In a Tumblr post, Swift called the sale the “worst case scenario” and claimed to have been “years of” “continuous operational bullying” from Brown, a former client, Kanye. It hinted at a feud with West. “Now the scooter has stripped the job of my life, that is, I wasn’t given the opportunity to buy. In essence, my musical heritage is in the hands of someone who tried to dismantle it. I’m about to be entrusted. “

In August 2019, Swift revisits the first six albums, including Taylor Swift (2006), Fearless (2008), Speak Now (2010), Red (2012), 1989 (2014) and 2017 reputation. Officially announced plans to record. To get her husband back.

Over the past year or so, Swift has been trying to release these re-recordings in an attempt to own the work she spent 13 years in. The re-recording is not much different from the original. The more they sound the same, the less likely the company is to use the original. In short, Swift ensures that she gets all the benefits and credits for her work.

Fearless is Swift’s second album, but she re-recorded it for the first time on her big machine release. The album, including the hit singles “You Belong With Me” and “Fifteen,” won a Grammy Award at the 2010 Album of the Year.

It’s a dream for artists of all kinds around the world to own the art they create. Music artists have been fighting tight contracts and corporate tactics for years, but rarely experience the hassle of re-recording and re-releasing old works. One of the most successful artists in American music, Swift is in a rare position to upset the system and has the power to do so.

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How Taylor Swift is trying to preserve the musical heritage by re-recording the first six albums

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