“Happier than ever” Billie Eilish (Darkroom / Interscope Records)
Billie Eilish seems to be in a good place on her sophomore album. “I’m happier than ever,” she sings in her first song. However, tears are flowing on her cheeks on the cover. And before the collection is complete, she returns to the phrase “I’m happier than ever”, but qualifies it with “when I’m away from you.” So it’s complicated.
Few people are as complicated as Irish. “Happier Than Ever” is a fascinating look at the life of a messy and famous pop star who is as dialistic as Taylor Swift, yet more self-critical and emotionally straightforward. It’s an ambitious, mature and wonderful album. A young woman is pulling a fire alarm while we are all staring at the flame.
The 16-track album, which clocks in in less than an hour, begins with “Getting Older” and a keen observation of what the 19-year-old genius once enjoyed / is now working on.
Using it as a launch pad, Irish continues to explore fame and the dark side of it. In “NDA,” she admitted a real stalker (“I had to save money for security”), and in “OverHeated,” the encounter with the paparazzi turned into surgery and a “plastic” physical examination. be connected.
Irish also reaches out to uncover unequal power structures and returns to the often polluted innocent theme. She warns beginners about the hypnotic “Gold Wing,” which begins as a hymn based on Hindu poetry. “
Those same evil forces are influencing the album’s victory — acoustic guitar-led “Your Power” begs mentors who are abusing his power against any of his slaves. “Do you feel sick only if it turns out / do you think they killed your contract?” She curses.
This is the only way to live happily forever. The Seven Grammy Awards have not changed her or her co-author and producer, Finius. 2019 “Where do we go when we all fall asleep?” Ironically, eccentric, inward and angry. “Happier Than Ever” is richer and more spectacular, with a stronger and clearer composition of the song.
Brother and sister have the ability to take extra noodles for sound and make sturdy songs around them, and Irish wraps her expressive, whispering, rich vocals.
Her spoken word “not my responsibility” is important and powerful. “Can you be quiet?” She asks, and the answer is always no, no, no. She targets the mortality rate itself with “Everybody Dies.”
All new albums are not serious. She desperately fell in love with a wonderful kiss-off song (“I Didn’t Change My Number”, “Therefore I Am”, “Lost Cause”, slowly constructed “Happier Than Ever”) There is a song (“Haley’s Comet”). “). Irish and Finius even play with bossa nova in one great slinky song.
But Irish explores our most annoying impulses and is the best in the shadows. “Oxytocin” begins with a sexy appearance, befitting a song named after a hormone that controls reproduction. But it shifts brilliantly along the way and turns desires darker: “As long as you are still breathing / don’t even think about leaving.” Hey, that complexity.
Billie Eilish remains great on a sophomore album
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